
在銘 赤坂 忠時作鍔/鐔Zaimei Akasaka Tadatoki-saku Tsuba
No.013410在銘 武州住 赤坂 忠時作桜花繋透鍔Zaimei Busyu jyu Akasaka Tadatoki-saku Ouka-Tsunagi-Sukashi Tsuba
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- 【銘表】【Mei-Omote】
- 武州住 赤坂武州住 赤坂 Busyu jyu Akasaka
- 【裏銘】【Ura-mei】
- 忠時作忠時作 Tadatoki-saku
- 【時代】【Period】
- 江戸時代Edo period
- 【法量】【Size】
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縦 8.00cm 横 7.69cm 切羽台 0.52cm 中心孔縦 2.63cm 中心孔横 0.62cm 重量 101.00g
Length 8.00cm Width 7.69cm Seppadai 0.52cm Nakaoana-Length 2.63cm Nakaoana-Width 0.62cm Weight 101.00g
- 【説明】【Drscription】
- 竪丸形 鉄地 地透 丸耳
赤坂派の初代・二代の忠正親子が江戸へ寛永頃移住し、尾張透の手法と京透の工法に工夫を加えて鐔を制作し、幕末頃まで栄えた。初・二・三代(古赤坂)は、鉄地の鍛が良好で造形は丸形、丸耳で厚手のものが多く、角丸風造りも見られる。四代目忠時の頃から鐔もやや薄くなり、精巧な造込となった。赤坂という呼称はこの一門の職人たちの居住地(現在の東京都港区の赤坂一帯)から用いられた。
赤坂派 忠時 彦十郎は、赤坂派の初代忠正から4代目に相当するが、在銘赤坂派の初代であり、以後9代まで忠時を名のった。
宝永4年(1707年)3代目正虎の跡を受け39年間在職。晩年は家督を二代忠時に譲り、忠宗と称した。延享3年(1746年)没する。
作風は、初代忠正の頃から比べるとやや薄くなり精巧な造り込みとなった。鉄地丸形に社頭、桐、薄、茶筌、末広、茗荷などの図案風な地透鍔を造る。Tatemarugata Tetsuji Jisukashi Marumimi
The Akasaka school flourished until the end of the Edo period; it was founded when the first and second generations—a father and son named Tadamasa—relocated to Edo around the Kanei era and began crafting Tsuba by refining the Owari-Sukashi and Kyo-Sukashi techniques.
The first, second, and third generations (collectively known as "Ko-Akasaka" or "Old Akasaka") are characterized by excellent Kitae, thick forms—typically featuring Marugata and a Marumimi, though a style with Kakumaru is also observed. From the time of the fourth-generation Tadatoki, Tsuba became somewhat thinner and featured more refined craftsmanship. The name "Akasaka" was derived from the area where the artisans of this lineage resided (the Akasaka district in present-day Minato Ward, Tokyo).
Akasaka School Tadatoki Hikojuro is the fourth generation from the Akasaka School's first generation Tadamasa, but he was the first generation of the Akasaka School to have a name, and from then on, the name Tadatoki was used until the ninth generation.
In 1707, he succeeded the third Masatora and served for 39 years. In his later years, he handed over the headship of his family to the second generation Tadatoki, who took the name Tadamune. He died in 1746.His style has become somewhat thinner and more elaborate than that of Tadamasa first.He makes Ji-Sukashi-Tsuba with designs such as Syatou, paulownia, thin, Chasen, Suehiro, and Myoga in Tetsuji Marugata.













