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特別保存刀剣Tokubetsuhozon Token
実光 刀 Sanemitsu Katana
No.665120備州長船実光 応永十二年八月日 重要候補 乱れ映り立ち華やかな互の目丁子金筋頻りに掛る最高傑作 二尺一寸二分Bisyu Osafune Sanemitsu August 12th year of Oei, Juyo Candidate, Midare-Utsuritachi with gorgeous Gunome-Chouji, Kinsuji hangs over and over, A masterpiece 64.3cm
- 銘表Mei-Omote
- 備州長船実光 Bisyu Osafune Sanemitsu
- 裏銘Ura-mei
- 応永十二年八月日August 12th year of Oei
- 登録証Registration
- 東京都 Tokyo 平成11年2月9日 2/9/11(Heisei)
- 時代Period
- 室町初期応永十二年Early Muromachi period, 12th year of Oei era
- 法量Size
-
刃長 64.3cm (二尺一寸二分) 反り 1.6cm
元幅 3.1cm 先幅 1.8cm 元重 0.70cm 鎬厚 0.75cm 先重 0.50cm 鋒長 2.7cm 茎長 17.7cm 重量 595gHachou 64.3cm (二尺一寸二分) Sori 1.6cm
Moto-Haba 3.1cm Saki-Haba 1.8cm Moto-Kasane 0.70cm Shinogi-Thikess 0.75cm Saki-Kasane 0.50cm Kissaki-Chou 2.7cm Nakago-Chou 17.7cm Weight 595g - 国Country
- 備前Bizen
- 姿Shape
- 鎬造、庵棟、身幅広く、腰反り・先反りつき、先細く中鋒。Shinogidukuri, Iorimune, Wide Mihaba, Koshizori, Sakizoritsuki, Tapered Chu-Kissaki.
- 鍛Kitae
- 板目肌に、杢目交じり、地沸微塵につき、地景入り、乱れ映りたつ。Itamehada, Mixed Mokume, Jinie entered finely, Chikei entered, Midare-Utsuritatsu.
- 刃文Hamon
- 互の目に、腰の開いた互の目・丁子刃・重花風の丁子・蛙子調の丁子・飛び焼きなど交じり、足・葉頻りに入り、小沸深くつき、金筋・沸筋幾重にも頻りに掛り、匂口明るく冴える。Gunome, Koshi-hiraita-Gunome, Choujiba, Juka-style Chouji, Kawazuko-chouji and Mixed Tobiyaki, There are many Ashi and You, Small-Nie entered deeply, Kinsuji and Niesuji hangs over and over, Nioikuchi is bright and clear.
- 帽子Boushi
- 乱れ込んで小丸。Midarekonde-Komaru
- 茎Nakago
- 生ぶ、先栗尻、鑢目勝手下、目釘孔三内一埋。Ubu, Sakikurijiri, Yasurimekattesagari, One of the three mekugi holes is filled.
- ハバキHabaki
- 金着二重。Double gold.
- 彫物Carving
- 佩表腰樋を丸止、裏腰元に護摩箸を彫る。Hai(佩) Front Koshibi Marudome, Carve Gomabashi on the back Koshimoto.
- 説明Drscription
- 長船実光は、盛光・実光・康光の合作刀もあり、三人兄弟の真ん中であったと思われるが、短命だったせいか作刀は非常に少ない。この三工とも応永三光と呼称される応永備前を代表する名工で、光忠-長光-景光-兼光-倫光-師光から続く長船の正系である。この刀は、実光の産ぶ茎在銘、応永十二年紀の入る希少な太刀で、所謂応永肌と呼ばれる、杢目交じりの板目肌に微塵の地沸がつき潤いがあり、乱れ映りが立つ美しい地鉄に、明るい腰開き互の目に変化に富んだ丁子乱れを焼き、金筋砂流し頻りに掛るなど刃中の働き見事で匂口明るく冴える最高傑作である。Sanemitsu Osafune made swords in collaboration with Morimitsu, Sanemitsu, and Yasumitsu, and is thought to have been the middle of the three brothers, but perhaps because he life was short, very few swords were made.
These three craftsmen are called the Oei Sanko and are representative craftsmen of Oei Bizen, and are the official line of Osafune that continues from Mitsutada, Nagamitsu, Kagemitsu, Kanemitsu, Tomomitsu, and Moromitsu.
This sword is Sanemitsu's Ubu-Nakago Zaimei, a rare Tachi that dates back to the 12th year of Oei.
The so-called Oei-hada, Itamehada with Mixed Mokume has a slight amount of Jinie and Uruoi(moisturized), Midare-Utsuritatsu with beautiful Jigane, Bright Koshibiraki Gunome-yaki with a variety of Chouji-Midare, This is a masterpiece that Nioikuchi is bright and clear, with excellent work on the blade, such as the frequent use of Kinsuji and Sunagashi.
