ENGLISH
無監査刀匠 Mukansa Tosyo
宗勉 刀 Sou Tsutomu Katana
No.798051刀 筑州福岡住宗勉作之 清麿写し大互の目に金筋砂流し頻りに掛り地刃明るく冴える傑作 二尺三寸六分Katana Chikusyu Fukuoka jyu Sou Tsutomu saku, Kiyomaro copy Big-Gunome, Kinsuji and Sunagashi hangs over and over, Jiba is bright and clear, A masterpiece 71.5cm
- 銘表Mei-Omote
- 筑州福岡住宗勉作之筑州福岡住宗勉作之 Chikusyu Fukuoka jyu Sou Tsutomu saku
- 登録証Registration
- 福岡県 Fukuoka 昭和47年５月18日 ５/18/47(Showa)
- 時代Period
- 昭和47年1972 (47th Syouwa)
- 法量Size
-
刃長 71.5cm (二尺三寸六分) 反り 1.9cm
元幅 3.4cm 先幅 2.4cm 元重 0.66cm 鎬厚 0.70cm 先重 0.58cm 鋒長 4.3cm 茎長 21.9cm 重量 753gHachou 71.5cm (二尺三寸六分) Sori 1.9cm
Moto-Haba 3.4cm Saki-Haba 2.4cm Moto-Kasane 0.66cm Shinogi-Thikess 0.70cm Saki-Kasane 0.58cm Kissaki-Chou 4.3cm Nakago-Chou 21.9cm Weight 753g - 姿Shape
- 鎬造、庵棟、身幅広く、反り深く、中鋒やや延びる。Shinogidukuri, Iorimune, Wide Mihaba, Deep Sori, Chu-Kissaki slightly extended.
- 鍛Kitae
- 小板目肌つみ、小板目肌交じり、地沸微塵に厚くつき、地景細かく頻りに入り、鉄明るく冴える。Small-Itamehada-tsumi, Mixed small-Itamehada, Jinie entered fine and thick, Chikei entered frequently and finely, Iron is bright and clear.
- 刃文Hamon
- 大互の目乱れに、沸深くよくつき、金筋・沸筋・砂流し掛り、匂口明るく冴える。帽子は、乱れ込んで小丸。Big-Gunome-Midare, Deep Nie entered frequently, Kinsuji, Niesuji and Sunagashi-kakari, Nioikuchi is bright and clear. Boushi is Midarekonde-Komaru.
- 説明Drscription
- 宗勉刀匠は、名を宗勝といい、昭和2年に福岡に生まれ、昭和21年より父の宗正光に師事、昭和30年より新作名刀展に出品、文化庁長官賞、薫山賞など数多くの特賞を受賞し、平成2年には無鑑査に認定される。作風は、父の目指した左文字、虎徹を範として沸の強く、金筋・砂流しのよく働いた相州伝を踏襲、その後清麿に挑戦し、「清麿の宗」と異名をとるほどになり、さらに晩年には越前守助広の濤欄刃にも挑戦し成功している。その技術は秀逸で、宗勉刀匠の清麿写しが銘を切り直し、重要の清麿になっているという話もある。平成27年2月没。この刀は、身幅広く3.4cmあり、反り深く、鋒延びごころとなる堂々とした体配で、地沸微塵に厚くつき、地景細かく頻りに入る美しく冴えた地鉄に、華やかな大互の目乱れを焼き、金筋砂流し幾重にも頻りに掛り、刃中よく働き、匂口明るく冴える清麿写しの傑作である。Sou Tsutomu swordsman, whose name is Munekatsu, was born in Fukuoka in 1945. Received the special prize of, He studied under his father Sou Masamitsu in 1946, exhibited in a new masterpiece sword exhibition in 1955, received numerous special awards such as the Agency for Cultural Affairs Commissioner's Award and the Kunzan Award, and was certified as Mukansa in 1990. His style was based on his father's Samonji, Kotetsu's strong Nie, and Kinsuji and Sunagashi's well-worked Sosyu-den. He later challenged Kiyomaro, and was nicknamed "Kiyomaro no Mune". In his later years, he even challenged Echizen no Kami Sukehiro's Toran-ha and succeeded.His technique was so excellent that some swordsmiths made copies of Kiyomaro by Tsutomu Mune, and the signature was changed to Kiri-naoshi, or Kiyomaro of Juyo. He passed away in February 2015.
This sword has wide Mihaba 3.4cm, Deep Sori, It has a stately appearance that makes it a Kissaki Nobigokoro. Jinie entered fine and thick, Chikei entered finely and frequently with beautiful clear Jigane, Gorgeouse Big Gunome-Midare, Kinsuji and Sunagashi hangs over and over, It works well in sword, Nioikuchi is bright and clear, It a masterpiece of Kiyomaro copy.
