ENGLISH
第55回重要刀剣 55th Juyo Token
来国俊 刀 Rai Kunitoshi Katana
No.893683金粉銘 来国俊 特重候補 精良な地鉄に映り立ち金筋頻りに掛り小足葉頻りに入り匂口明るく冴える屈指の名品 二尺七寸六分Kinpunmei(Gold powder signature): Rai Kunitoshi, Candidate Tokubetsu Juyo Token, With Clear good Jigane, Utsuritachi, Kinsuji entered long and frequently, Small-Ashi and You entered frequently, Nioikuchi is bright and clear, One of the best masterpieces, 83.7cm
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- 銘表Mei-Omote
- 金粉銘 来国俊金粉銘 来国俊 Kinpunmei(Gold powder inscription) Rai Kunitoshi
- 裏銘Ura-mei
- 金粉銘 本阿 花押（光遜）金粉銘 本阿 花押（光遜）Kinpunmei(Gold powder inscription) Hona Kaou (Kouzon)
- 極めKiwame
- 来国俊Rai Kunitoshi
- 登録証Registration
- 東京都 Tokyo 昭和26年3月31日 3/31/26(Showa)
- 時代Period
- 正安頃Around Syouan period
- 法量Size
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刃長 83.7cm (二尺七寸六分) 反り 2.2cm
元幅 3.37cm 先幅 2.25cm 元重 0.61cm 鎬厚 0.77cm 先重 0.55cm 鋒長 3.35cm 茎長 21.4cm 重量 858gHachou 83.7cm (二尺七寸六分) Sori 2.2cm
Moto-Haba 3.37cm Saki-Haba 2.25cm Moto-Kasane 0.61cm Shinogi-Thikess 0.77cm Saki-Kasane 0.55cm Kissaki-Chou 3.35cm Nakago-Chou 21.4cm Weight 858g - 国Country
- 山城Yamashiro
- 姿Shape
- 鎬造、庵棟、身幅広く、反り深く、中鋒詰まる。Shinogidukuri, Iorimune, Wide Mihaba, Deep sori, Chu-Kissaki-Tsumaru.
- 鍛Kitae
- 小板目肌よく錬れてつみ、地沸微塵につき、柔らかく明るい乱れ映りが立ち、鉄明るく冴える。Small-Itamehada-Nerete-tsumi, Jinie entered finely, Midare-Utsuri soft and bright, Iron is bright and clear.
- 刃文Hamon
- 直刃調に、小互の目交じり、小足・葉頻りに入り、湯走り掛り、小沸深くつき、金筋長く頻りに掛り、匂口明るく冴える。Suguha-style, Mixed Small-Gunome, Small-Ashi and You entered frequently, Yubashiri-kakari, Small-Nie entered deeply, Kinsuji entered long and frequently, Nioikuchi is bright and clear.
- 帽子Boushi
- 小さく乱れ込んで金筋掛り、表小丸、裏焼き詰めごころ。Small-Midarekonde Kinsuji-kakari, Front is Komaru, Back is Yakitsumegokoro.
- 茎Nakago
- 大磨上、切、鑢目勝手下り、目釘孔四。Ohsuriage, Kiri, Yasurimekattesagari, Mekugiana are four(4)
- ハバキHabaki
- 金着二重。Double Kinkise.
- 彫物Carving
- 表裏に棒樋を掻き通す。Bohi from front to back.
- 説明Drscription
- 来国俊は、仁治元年(1240年)生まれ、来国行の子で、年紀作は鎌倉中期弘安から鎌倉後期の元亨に渡っており、九十余歳で没したと伝える。その前期二字国俊銘は豪壮な姿態に華麗な丁子乱れを焼き、後期来国俊銘は細身の体配に、上品な直刃調の刃文を焼くものが多い。来派は、国行を始祖とする一派で、鎌倉後期頃には粟田口派に交代するように、山城を代表する刀工群となった。また、来一門は、国行を始めとして、来国俊、来国光、来国次と一門の直系がいずれも最上作となっている。この刀は、磨上げて尚二尺七寸六分の長さに、身幅3.4cm近くあり、輪反り深くつき、猪首風に鋒詰まった堂々たる体配を呈する太刀で、小板目肌がよく錬れ、地沸微塵につき、地景細かく頻りに入り、柔らかい乱れ映りが明るく立ち、精良で美しい地鉄に、直刃調に、小互の目交じり、小足・葉頻りに入り、小沸深くよくつき、金筋長く頻りに掛るなど刃中よく働き、匂口明るく冴える屈指の出来の名品である。Rai Kunitoshi was born in the first year of Ninji (1240) and was the son of Raikokuyuki.His works are said to have passed from Koan in the mid-Kamakura period to the late Kamakura period, and that he died at the age of over 90.
The early Niji-Kunitoshi inscription is a magnificent figure with a gorgeous Chouji-Midare.
Many of the late Rai Kunitoshi signatures have a slender body and an elegant Suguha style blade pattern.
The Raiha was a school whose founder was Kuniyuki, and in the late Kamakura period it became the representative group of swordsmiths in Yamashiro, replacing it with the Awataguchi school. In addition, the works of the direct descendants of the Rai school, including Kuniyuki, Rai Kunitoshi, Rai Kunimitsu, and Rai Kunitsugu, all produce masterpieces.
This sword is Suriage, This sword is 83.7cm long even in its suriage. Mihaba near 3.4cm, Wazori entered deeply, This sword displays a dignified appearance with Kissaki-tsumaru Ikubi-style Kissaki. Small-Itamehada-nerete, Jinie entered finely, Chikei entered frequent and finely, Soft Midare-Utsuri is bright with clear good beautiful Jigane, Suguha-style, Mixed small-genome, Small-Ashi and You entered frequently, Small-Nie entered frequently, Kinsuji entered long and frequently, It works well in sword, Nioikuchi is a bright and clear masterpiece.
