ENGLISH
特別保存刀剣 Tokubetsuhozon Token
長船兼光 刀Osafune Kanemitsu Katana
No.988582刀 長船兼光 時代太刀拵付 南北朝初期 重要候補 精良な地鉄に映り立ち片落ち風互の目を交える名品 二尺二寸九Katana Osafune Kanemitsu With Jidai Tachi Koshirae, Early Nanbokucho period, Juyo candidate, Clear good Jigane with Utsuritachi and mixed Kataochi style Gunome, A masterpiece 69.4cm
- 極めKiwame
- 長船兼光Osafune Kanemitsu
- 登録証Registration
- 広島県 Hiroshima 昭和41年12月15日 12/15/41(Showa)
- 時代Period
- 南北朝時代正慶頃Around Shokyo period, Nanbokucho period
- 法量Size
-
刃長 69.4cm (二尺二寸九分) 反り 1.8cm
元幅 2.9cm 先幅 1.9cm 元重 0.63cm 鎬厚 0.72cm 先重 0.51cm 鋒長 2.5cm 茎長 19.1cm 重量 724gHachou 69.4cm (二尺二寸九分) Sori 1.8cm
Moto-Haba 2.9cm Saki-Haba 1.9cm Moto-Kasane 0.63cm Shinogi-Thikess 0.72cm Saki-Kasane 0.51cm Kissaki-Chou 2.5cm Nakago-Chou 19.1cm Weight 724g - 国Country
- 備前Bizen
- 姿Shape
- 鎬造、庵棟、身幅尋常、反り深く、腰反りつき、中鋒。Shinogidukuri, Iorimune, Standard Mihaba, Deep Sori, Koshizori-tsuki, Chu-Kissaki.
- 鍛Kitae
- 小板目肌つみ、板目肌交じり、地沸微塵に厚くつき、映り立つ。Small-Itamehada-tsumi, Mixed Itamehada, Jinie entered fine and thick, Utsuritatsu.
- 刃文Hamon
- 互の目が連れ、角張る刃や片落ち風の互の目を交え、足・葉よく入り、小沸深くつき、金筋掛かり、匂口明るい。Gunome-tsure, Kakubaru-Ha, Kataochi style and mixed Gunome, There are many Ashi and You, Small-Nie entered deeply, Kinsuji-kakari, Nioikuchi is bright.
- 帽子Boushi
- 乱れ込んで先尖りごころに返る。Midarekonde-Sakitogarigokoro-Kaeru(Return)
- 茎Nakago
- 大磨上、先栗尻、鑢目切、目釘孔二。Ohsuriage, Sakikurijiri, Yasurimegiri, Mekugiana are two(2)
- ハバキHabaki
- 金着一重。Single Kinkise (Wearing a single layer of gold.)
- 拵Sword mounitings
- 黒漆虫食塗鞘太刀拵 [江戸時代]
法量
長さ102.6cm 反り5.5cm
説明
鐔 赤銅波図金覆輪。 総金具 赤銅磨地唐草図。 目貫 赤銅這竜図金色絵。
Kuro-Urushi Mushikui-Nurisaya Tachi Koshirae(Black lacquer insect-eaten lacquered scabbard tachi sword) [Edo period]
Length:102.6cm
Sori:5.5cm
Tsuba: Syakudou Namizu(Wave design) Kinfukurin
All metal fittings: Syakudou Migakiji Karakusazu(Arabesque design)
Menuki: Syakudou Hairyuzu(Crawling dragon) Kiniroe. - 説明Drscription
- 備前長船派は、鎌倉時代中期の光忠に始まり、長光・景光、そして兼光へと継承されている。兼光の作刀時期は、鎌倉末期の元亨から、南北朝期の貞治に及ぶ45年の長きに亘っている。作風は南北朝の康永頃までは、尋常な体配に互の目や直刃に互の目を交えた刃を焼き、父景光に似た作風となるが、貞和頃より姿が大柄になり、のたれ主調の沸の強い出来の所謂相伝備前となる。この刀は、身幅尋常、腰反り高く、中鋒となる鎌倉末期の体配で、小板目肌つみ、地沸微塵に厚くつき、映り立つ精良で美しい地鉄に、連れた互の目に角張る刃や片落ち風の互の目を交え、父景光風の作域となる兼光前期作の名品である。The main line of Bizen Osafune began with Mitsutada in the middle of the Kamakura period, and was succeeded by Nagamitsu, Kagemitsu, and Kanemitsu. Kanemitsu's sword-making spans a long period of 45 years, from Gentoru in the late Kamakura period to Sadaharu in the Nanbokucho period.
Until around the Yasunaga era of Nanbokucho, his style was similar to that of his father Kagemitsu, with Gunome and Suguha mixed with Gunome blades in an ordinary form, but from around Sadakazu his figure became larger and the main tone was Notare. It becomes the so-called Soden-Bizen of strong Nie.
This sword has standard Mihaba, High Koshizori, It has the appearance of the late Kamakura period, which became Chu-Kissaki, Small-Itamehada-tsumi, Jinie entered fine and thick, Utsuritachi with beautiful clear Jigane, Tureta-Gunome and Kakubaru-Ha and mixed Kataochi style Gunome, This is a masterpiece from Kanemitsu's early period, in the style of his father, Kagemitsu.
