刀 吉岡一文字 毛利家伝来 薫山鞘書 丁子華やかに乱れる傑作 二尺二寸二分
Juyo Token

Yoshioka Ichimonji Katana

No.567176

Katana Yoshioka Ichimonji inherited from the Mori family, Kunzan scabbard, a masterpiece with gorgeous Chouji Midare, 67.3cm

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【Kiwame】
Yoshioka Ichimonji
【Period】
Kamakura period
【Size】
Hachou
67.3cm
(二尺二寸二分)
Sori1.7cm
Moto-Haba2.8cm
Saki-Haba1.9cm
Moto-Kasane0.59cm
Shinogi-Thickness0.64cm
Saki-Kasane0.43cm
Kissaki-Chou3.0cm
Nakago-Chou19.9cm
Weight687g
【Country】
Bizen
【Shape】
Shinogidukuri, Iorimune, Standard Mihaba, Slightly deep Sori, Koshizori-tsuki, Chu-Kissaki.
【Kitae】
Itamehada, Mokume and mixed Nagarehada, Jinie entered fine and thickly, Vividly Midare-Utsuritatsu.
【Hamon】
Notare, Gnome, Choujiba, Small-Gunome, Kawazuko-stpyle Chouji, Mixed Tobiyaki, Ashi entered well, Nioi-deki, Small-Nie-tsuki, Kinsuji and Sunagashi entered finely well, Nioikuchi is bright. Notarete, Gunome, Choujiba, Small-Gunome, Kawazuko-style Chouji, Mixed Tobiyaki, Ashi entered well, Nioi-deki, Small-Nie entered well, Kinsuji and Sunagashi entered finely well, Nioikuchi is bright. Nioikuchi is bright.
【Boushi】
Notaregokoro-Yakitsume-style
【Nakago】
Nakago is Oh-suriage, Sakikiri, Yasurime-kattesagari, Mekugiana is one.
【Habaki】
Double gold.
【Drscription】
Bizen-mono in the Kamakura period was represented by both the Ichimonji and Osafune schools, and the Ichimonji-ha prospered in Fukuoka, Yoshioka, Iwato, and other areas until the Nanbokucho period, producing many excellent craftsmen. The reason why this school is called Ichimonji is because the character "ichi" is cut on the stem. There are some that add an inscription, and some that only have an individual inscription. The Yoshioka Ichimonji school flourished in the latter half of the Kamakura period, following the Fukuoka Ichimonji school. Sukemitsu, Sukeyoshi, Sukemo, Suketsugu, Sukeyoshi, etc. are the representative craftsmen of the school, and they use 'suke' as a common character. This sword was originally a Tachi about 67.3cm, with Koshizori-tsuki, and Chu-Kissaki-tsumarigokoro designed from the mid-Kamakura period, It is a masterpiece with a rich effect on the blade, with vividly Midare-Utsuritatsu Jitetsu, Tobiyaki, Kawazuko-style-Chouji, Gorgeouse Midare, Kinsuji and Sunagashi entered well.　Judging from its appearance, it is old and is a masterpiece passed down from the Mori family, which is thought to have been made by Yoshifusa, the master of professor Honma.
吉岡一文字 刀 重要刀剣