人間国宝 隅谷正峯 昭和壬寅年二月 兼光写し互の目丁子に金筋砂流し頻りに掛る名品 一尺
Living National Treasure

Masamine(Seihou) Wakizashi

No.477988

Ningen Kokuhou (Living National Treasure) Masamine(Seihou) Showa Mizunoetora February Kanemitsu Copy Gunome Chouji Kinsuji Sunagashi Frequently hung masterpiece 30.4 cm

¥1,000,000(tax included)
Mei-Omote
応需山田氏正峯作之 OujuYamadashi Masamine(Seihou) korewotsukuru
Ura-mei
於傘笠亭 昭和壬寅年二月 Sanryuutei site Syouwa Mizunoetora February
Registration
Fukuoka 7/15/5(Heisei)
Size

Hachou 30.4cm (一尺) Moto-Haba 3.0cm Saki-Kasane 0.73cm Nakago-Chou 12.2cm Weight 268

Shape
Shinogidukuri, Mitsumune, Wide Mihaba, a slightly inward Sori
Kitae
Small Itamehada tsunami, Mixed Masame, Jinie fine and thick, Chikei , Iron is clear.
Hamon
Gunome, Mixed Choujiba, Nioideki ,Konie, Kinsuji, Sunagashi kakari, There are many Ashi, Nioikuchi is bright.
Boushi
Midarekonde sakihakikakete Komaru
Nakago
Ubu, Sakikurijiri, Yasurimegiri, Mekugiana is 1. The sculpture scoops Bouhi on the front and back.
Habaki
Single gold.
Carving
The sculpture scoops Bouhi on the front and back.
Drscription
Masamine(Seihou) was born in Ishikawa prefecture in the 10th year of the Taisho era, and his real name is Yoichiro Sumitani. After the war, in 1955, he set up a training center "Sanryu-tei" in his hometown and called it Sanryu-tei, Sanryu, and Ryouzanshi. The following year, he won a prize at the New Sword Exhibition for eight years from 1923, and became an uninspected swordsmith with the honor of the Masamune Award for 41 and 42 years in a row, and was designated as an important intangible cultural property in 1956. In 1998, he died 77 years old. Major works include "Ise Jingu-style yearly transitional shrine god treasure sword (1964)", "Ise Jingu-style yearly transitional palace god treasure sword 12 swings (1944)", "Ise Jingu style yearly transitional palace god treasure" In addition to "Tachi 16 swings (1989)", there are also the guardian swords of the Crown Princess and Mako Akishinomiya. He studied sword techniques from the Asuka / Nara period to the present day, and was particularly good at Ichimonji in the Kamakura period, Nagamitsu, and Aoe.

This sword is a masterpiece of Kanemitsu, such as Tanto of Mihaba wide Nanbokuchou, Konie finely attached, small Itamehada mixed with Masamehada, clear Jitetsu, Gunomechouji, Kinsuji and Sunagashi frequently.
正峯 脇差