
近江守高木住助直 脇差 Ouminokami Takagi jyu Sukenao Wakizashi
No.696521脇差 近江守高木住助直 匂沸深い濤欄乱れ傑作 新潟大名登録 助広高弟 一尺七寸一分Wakizashi Ouminokami Takagi jyu Sukenao Deep NieNioi Toran-Midare A Masterpiece Registered as Niigata Daimyo, high disciple of Sukehiro, 51.8cm
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- 【銘表】【Mei-Omote】
- 近江守高木住助直 近江守高木住助直 Ouminokami Takagi jyu Sukenao
- 【登録証】【Registration】
- 新潟県 Niigata 昭和26年3月31日 3/31/26(Showa)
- 【時代】【Period】
- 江戸時代前期Early Edo period
- 【法量】【Size】
-
刃長51.8cm(一尺七寸一分)反り1.5cm元幅3.3cm先幅2.2cm元重0.71cm鎬厚0.73cm先重0.47cm鋒長3.5cm茎長15.3cm重量585gHachou51.8cm(一尺七寸一分)Sori1.5cmMoto-Haba3.3cmSaki-Haba2.2cmMoto-Kasane0.71cmShinogi-Thickness0.73cmSaki-Kasane0.47cmKissaki-Chou3.5cmNakago-Chou15.3cmWeight585g
- 【国】【Country】
- 摂津Settsu
- 【姿】【Shape】
- 鎬造、庵棟、身幅広く、反り深く、元先の幅差つき、中鋒やや延びる。Shinogidukuri, Iorimune, Wide Mihaba, Deep Sori, Motosaki Habasa-tsuku, Chu-Kissaki slightly extended.
- 【鍛】【Kitae】
- 小板目肌つみ、杢目交じり、地沸微塵につき、地景細かく入り、鉄明るく冴える。Small-Itamehada-tsumi, Mixed Mokume, Jinie entered finely, Chikei entered finely, Iron is bright and clear.
- 【刃文】【Hamon】
- 大互の目乱れ、足太く入り、小沸深くよくつき、砂流し頻りにかかり、匂深く、匂口明るく冴える。Oh-Gunome-Midare, Ashi entered thick, Small-Nie entered deeply well, Sunagashi-shikirini-kakari, Deep Nioi, Nioikuchi is bright and clear.
- 【帽子】【Boushi】
- 直ぐに小丸、深く返る。Suguni-Koomaru, Fukaku-kaeru(Deep return)
- 【茎】【Nakago】
- 生ぶ、先入山形、鑢目筋違化粧、目釘孔一。Ubu, Sakiiri-yamagata, Yasurime-sujikai-kesyou, Mekugiana is one.
- 【ハバキ】【Habaki】
- 金着一重。A single layer of gold.
- 【説明】【Drscription】
- 助直は、寛永十六年に近江国高木に生まれ、名を孫太郎といい、大阪に出て二代助広の門に学び、後にその妹婿となると伝える。近江守を受領したのは、寛文九年頃と思われ、成業後、近江国高木に帰り、延宝頃の作には「高木住」と銘したものが多い。天和二年に助広が没すると、大阪に戻り、その後を襲って名声をおとさなかった。元禄六年、五十五歳までの作刀が現存する。その作風は、師助広の創始した濤欄刃をよく継承しており、匂が深く、小沸がよくつき、匂口が明るく冴え、師に勝る出来のものもある。
この刀は、身幅3.3㎝もある堂々とした体配となる、反りが深い延宝頃の姿で、杢目交じりの小板目肌がつむ美しい地鉄に、見事な濤欄乱れを焼き、沸・匂深く、沸匂が美しく絡み、地刃ともに明るく冴え渡った一口で、師の上作に迫る出来の傑作である。Sukenao was born in Ouminokuni-Takagi in the 16th year of Kanei, and his name is Magotaro.He went to Osaka and learned from the 2nd Sukehiro school, and told him that he would later become his sister-in-law.It is believed that Ouminokami was received around the 9th year of Kanbun, and after working, he returned to Takagi, Omi Province, and many of his works during the Enpo period were named "Takagi jyu."When Sukehiro died in the second year of Tenna, he returned to Osaka and inherited it and did not lose his fame.In the 6th year of Genroku, swords up to the age of 55 still exist.The style is well inherited from Touranba, which was founded by his master, Sukehiro, and there are some that are superior to his master, with Deep Nioi, Konie often entered, and Nioikuchi is bright and clear.
Some are better than Sukehiro.
This sword has an imposing body measuring 3.3cm long. The shape is from the Enpo period with deep Sori, and the beautiful Jitetsu in mixed Mokume and small-Itamehada-tsumi, The Toran-Midare is wonderfully, Nie and Nioi entered deeply, Nie-Nioi is beautiful intertwined, and both the base Jiba is bright and clear. making it a masterpiece that approaches the master's masterpiece.












