保存刀装具　Hozon Tousougu

神吉鍔Kamiyoshi Tsuba

No.005020

神吉風林図透鍔Kamiyoshi Furinzu(wind forest) sukashi Tsuba

極めKiwame

神吉Kamiyoshi

法量Size

縦 7.9cm　横 7.6cm　切羽台 0.5cm　重量 95.0g

Length 7.9cm　Width 7.6cm　Seppadai 0.5cm　Weight 95.0g

説明Drscription

菊花形　鉄地　地透　毛彫　角耳小肉　両櫃孔

神吉派　藩命によって林家に入門し肥後細川家の抱え工となり江戸末期から明治の初年にかけて活躍した。
二代深信、三代楽寿は特に有名で技量も優れており、特に永寿は又七につぐ名工と称されている。
作風は鉄磨地で透かしと象嵌を極め、林派の作風を継承した出来である。地金の錆色も艶があり、肉置きも巧みで竪丸形、変り丸形、菊花形、変り木瓜形がある。図柄は、桐九曜、竹、松、桜、巴、四方蕨手、二十唐草などがある。Kikkagata Tetsuji Jisukashi Kebori Kakumimikoniku Ryouhitsuana

Kamiyoshi school: By order of the domain, he entered the Hayashi family and became a laborer for the Higo Hosokawa family and was active from the end of the Edo period to the first year of the Meiji period.
The second generation Fukanobu and the third generation Rakuju are particularly famous and have excellent skills, and Eiju in particular is said to be a master craftsman second only to Matashichi. His style is Tetsumigakiji, mastering Sukashi and Zougan, and inheriting the style of the Hayashi school.The rust color of Jigane is also shiny. Nikuoki is also skillful and Tatemarugata, Kawari-Marugata, Kikkagata, Kawari-Mokkougata. The designs include Kiri(paulownia) kuyo, Take(bamboo), Matsu(pine), Sakura(cherry blossoms), tomoe, Shihou-Warabite(four-way warabi-te), and Niju-Karakusa(twenty arabesques).

神吉 鍔Kamiyoshi Tsuba

神吉鍔Kamiyoshi Tsuba