刀 二代 粟田口近江守忠綱 倶利伽羅彫物見事 重要候補互の目丁子傑作 二尺四寸九分
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Second generation Awataguchi Ouminokami Tadatsuna Katana

No.697097

Katana Second generation Awataguchi Ouminokami Tadatsuna Kurikara horimono(carving) , a masterpiece of Juyo Candidate, Gunome-Chouji 75.4cm

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【Mei-Omote】
粟田口近江守忠綱　Awataguchi Ouminokami Tadatsuna
【Registration】
Tokyo 12/15/30(Heisei)
【Period】
Early Edo period
【Size】
Hachou
75.4cm
(二尺四寸九分)
Sori1.5cm
Moto-Haba3.2cm
Saki-Haba2.2cm
Moto-Kasane0.80cm
Shinogi-Thickness0.85cm
Saki-Kasane0.52cm
Kissaki-Chou3.5cm
Nakago-Chou22.1cm
Weight882g
【Country】
Settu
【Shape】
Shinogidukuri, Iorimune, Wide Mihaba, Standard Sori, Chu-Kissaki extended.
【Kitae】
Small-Itamehada-tsumi, Itame, Mixed Mokume-hada, Jinie entered thick, Chikei entered finely, Iron is bright and clear.
【Hamon】
Sugu-style-Yakidashi, Gunome-Midare, Mixed Chouji, Ashi entered long and well, Small-Nie entered deeply, Kinsuji-shikirini-kakari, Nioikuchi is bright and clear.
【Boushi】
Suguni-Komaru, Fukaku-kaeru(Deep return)
【Nakago】
Ubu, Sakiba-agari-kurijiri, Yasurimesujikai, Mekugiana is one(1)
【Habaki】
Double Gold.
【Carving】
Sanskrit characters are carved on the front Kurikara and the two back Koshibi.
【Drscription】
The second Tadatsuna, whose name was Mandayu Asai, was the son of the first Omi no kami Tadatsuna, and was originally named Tadakuni. The extant chronological works span the 55 years from the 12th year of Kanbun to the 12th year of Kyoho.
He took over Ouminokami around Enpo as the second generation and took the name Ikkanshi around Genroku 2nd year.Along with Sukehiro and Shinkai, he was honored as one of Osaka's three heroes.
In the early days of his work, many of his styles were Long Ashi and Long Chouji-Midare, Afterwards, Gunome-Midare and Touran-style Midare, Suguha and Shallow Notare-yaki.He is also known as a master carver of dragons, Kurikara, plum Kurikara, Sankoken(sword), etc.
This sword has Small-Itamehada and Jinie entered thick, Chikei entered finely in beautiful Jitetsu, Gunome-Midare, Mixed Chouji, Ashi entered long well, Gorgeous Midare, Small-Nie entered deeply well, Kinsuji-shikirini-hairu, It works well in sword,It is a masterpiece with no scratches, no defects, and Jiba is bright and clear.The carvings on Kurikara were done by a different person, but they were not done afterward, and they are wonderfully done, and are thought to be the work of master carver Fujita Toshitsugu.
二代 粟田口近江守忠綱 刀 特別保存刀剣