
常遠 太刀 Tsunetoo Tachi
No.382032銘 常遠 備中妹尾生茎太刀 平安末期元暦頃 加賀前田家旧蔵 湯走り飛び焼き二十刃金筋頻りに掛る名品 二尺四寸九分Mei Tsunetoo Bicchu Senoo Ubu-Nakago Tachi, Late Heian period, around Genryaku era, formerly owned by the Maeda family of Kaga, a masterpiece with frequent Yubashira, Tobiyaki, Nijuba and Kinsuji entered frequently 75.5cm
- 【銘表】【Mei-Omote】
- 常遠 (妹尾)常遠 (妹尾) Tsunetoo(Senoo)
- 【登録証】【Registration】
- 福岡県 Fukuoka 35年5月18日 5/18/35
- 【時代】【Period】
- 平安末期、元暦頃Late Heian period, Around Genryaku era
- 【法量】【Size】
-
刃長75.5cm(二尺四寸九分)反り2.5cm元幅3.0cm先幅1.6cm元重0.57cm鎬厚0.73cm先重0.37cm鋒長2.3cm茎長18.7cm重量658gHachou75.5cm(二尺四寸九分)Sori2.5cmMoto-Haba3.0cmSaki-Haba1.6cmMoto-Kasane0.57cmShinogi-Thickness0.73cmSaki-Kasane0.37cmKissaki-Chou2.3cmNakago-Chou18.7cmWeight658g
- 【国】【Country】
- 備中Bicchu
- 【姿】【Shape】
- 鎬造、庵棟、身幅広く、反り深く、腰反り・踏ん張り付き、先伏せごころに、先幅細く、小鋒。Shinogidukuri, Iorimune, Wide Mihaba, Deep Sori, Koshizori, Funbaritsuki, Saki-fusegokoro, Tip narrow, Small-Kissaki.
- 【鍛】【Kitae】
- 板目肌に、杢目肌交じり、地沸微塵に付き、映り立つ。Itamehada, Mixed Mokumehada, Jinie entered finely, Utsuritatsu.
- 【刃文】【Hamon】
- 直刃調に、小乱れ交じり、湯走り・飛び焼き・二十刃頻りに掛かり、小足葉頻りに入り、沸深くつき、金筋・沸筋・砂流しかかり、匂口明るく冴える。Suguha-style, Mixed Small-Midare, Yubashiri, Tobiyaki, Nijuba entered frequently, Small-Ashi and You entered frequently, Deep Nie-tsuki, Kinsuji, Niesuji and Sunagashi-kakari, Nioikuchi is bright and clear.
- 【帽子】【Boushi】
- 直ぐに小丸。Sugunikomaru.
- 【茎】【Nakago】
- 生ぶ、鑢目大筋交、目釘孔一。Ubu, Yasurime-Ohsujikai, Mekugiana is one(1).
- 【ハバキ】【Habaki】
- 金着無垢二重梅鉢紋透。Kinmuku, Double Umebachi-mon(plum bowl)Sukashi
- 【説明】【Drscription】
- 備中妹尾は、平家方の妹尾一族の本拠地で、高梁川下流域の青江の地より東方備前寄りに位置している。常遠は、この妹尾鍛治の祖則高の子と伝え、古刀銘尽大全によると平安末期元暦頃に活躍した刀工と伝え、田野辺先生も平安後期から鎌倉初期の作と鑑定されている。本作は、完全に生ぶの作刀時の姿を留める太刀で、身幅広く、反り深く、腰反り・踏ん張り付き、先細く伏せごころに小鋒に結ぶ平安後期の優美な姿を呈し、板目肌に杢目交え、地沸微塵に厚くつき、地班交じりに映り立つ縮緬風の美しい地鉄に、直刃調に、小乱れ交じり、湯走り・飛び焼き・二十刃頻りに掛り、小足頻りに入る古雅の趣を湛え、沸は深くキラキラと輝き、金筋・沸筋・砂流し頻りに掛り、匂口明るく冴える格調高い名品である。平肉残り健全で、太刀表に入る二字銘も鮮明に残る。藤代刀工辞典所載。田野辺先生鞘書。加賀前田家旧蔵で、金無垢の梅鉢紋が入るハバキが付帯する。Bicchu Senoo was the home base of the Seno0 clan, which supported the Taira clan, and is located east of Aoe in the lower reaches of the Takahashi River, closer to Bizen.
Tsunetoo is said to have been the son of Noritaka, the progenitor of the Senoo school of swordsmiths. According to the Koto Meizukushi Taizen, he is said to have been a swordsmith active around the Genryaku era, toward the end of the Heian period. Professor Tanobe also appraises it as a work dating from the late Heian to early Kamakura period.
This sword is a Tachi that perfectly retains its Ubu(original, uncut form.), Wide Mihaba, Deep Sori, Koshizori, Funbaritsuki, Tip narrow, Fusegokoro, This sword exhibits the elegant form of the late Heian period, with a Small-Kissaki, Mixed Mokume with Itamehada, Jinie entered fine and thick, Mixed JIfu, Utsuritatsu Chirimen style with beautiful Jigane, Suguha-style, Mixed Small-Midare, Yubashiri, Tobiyaki, Nijuba entered frequently, Small-Ashi entered frequently, Small-Ahi swords possess an ancient and elegant charm, frequently appearing in this sword. Nie is dignified masterpiece with a deep, sparkling brilliance, Kinsuji, Niesuji and Sunagashi entered frequently, Nioikuchi is bright and clear. remaining Hiraniku, Kenzen, Niji-Mei(The two-character signature) on the obverse remains clearly visible.
Listed in the Fujishiro Toko Jiten(Fujishiro Dictionary of Swordsmiths), Accompanied by a Sayagaki by Professor Tanobe。Formerly in the collection of the KagaMaeda clan, includes a Habaki featuring a solid fold Umebachi-mon(plum bowl crest).





















