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特別保存刀剣 Tokubetsuhozon Token
助直 脇差Sukenao Wakizashi
No.680674脇差 津田近江守助直 貞享三年八月日 助広高弟 身幅3.3cmのたれに足頻りに入り地刃明るく冴える傑作 一尺八寸二分Wakizashi Tsuda Ouminokami Sukenao August 3rd Joukyo period, A masterpiece by a disciple of Sukehiro, with a Mihaba 3.3cm, Notare, Ashi entered frequently with bright and clear Jiba, 55.2cm
- 銘表Mei-Omote
- 津田近江守助直 津田近江守助直 Tsuda Ouminokami Sukenao
- 裏銘Ura-mei
- 貞享三年八月日貞享三年八月日 August 3rd Joukyo period
- 登録証Registration
- 熊本県 Kumamoto 令和6年6月17日 6/17/6(Reiwa)
- 時代Period
- 江戸前期貞享三年Early Edo period, 3rd Joukyo period
- 法量Size
-
刃長 55.2cm (一尺八寸二分) 反り 1.2cm
元幅 3.3cm 先幅 2.4cm 元重 0.82cm 鎬厚 0.78cm 先重 0.58cm 鋒長 3.8cm 茎長 17.1cm 重量 652gHachou 55.2cm (一尺八寸二分) Sori 1.2cm
Moto-Haba 3.3cm Saki-Haba 2.4cm Moto-Kasane 0.82cm Shinogi-Thikess 0.78cm Saki-Kasane 0.58cm Kissaki-Chou 3.8cm Nakago-Chou 17.1cm Weight 652g - 国Country
- 近江Oumi
- 姿Shape
- 鎬造、庵棟、身幅広く、先幅広く、中鋒延びる。Shinogidukuri, Iorimune, Wide Mihaba, Wide Sakihaba, Chu-Kissaki extended.
- 鍛Kitae
- 小板目肌つみ、小杢目肌交じり、地沸微塵に厚くつき、地景細かく入り、鉄明るく冴える。Small-Itamehada-tsumi, Mixed small-Mokumehada, Jinie entered fine and thick, Chikei entered finely, Iron is bright and clear.
- 刃文Hamon
- 浅くのたれて、小互の目交じり、足頻りに入り、小沸深くよくつき、金筋・砂流し掛り、匂深く、匂口明るく冴える。Shallow-Notarete, Mixed small-genome, Ashi entered frequently, Small-Nie entered deep and frequently, Kinsuji, Sunagashi-kakari, Deep Nioi, Nioikuchi is bright and clear.
- 帽子Boushi
- のたれ込んで小丸、やや深く返る。Notarekonde-Komaru, Slightly deep return.
- 茎Nakago
- 生ぶ、先入山形、鑢目筋違化粧、目釘孔二。Ubu, Sakiiriyamagata, Yasurimesujikaikesyou, Mekugiana are two(2)
- ハバキHabaki
- 銀無垢二重。Double Ginmuku(Solid silver double layer)
- 彫物Carving
- 表に八幡大菩薩の文字、裏に梵字と護摩箸を彫る。The front is engraved with the characters for Hachiman Daibosatsu, and the back is engraved with Sanskrit characters and Goma-bashi(chopsticks).
- 説明Drscription
- 助直は、寛永十六年に近江国高木に生まれ、名を孫太郎といい、大阪に出て二代助広の門に学び、後にその妹婿となると伝える。近江守を受領したのは、寛文九年頃と思われ、成業後、近江国高木に帰り、延宝頃の作には「高木住」と銘したものが多い。天和二年に助広が没すると、大阪に戻り、その後を受け継ぎ名声をおとさなかった。元禄六年、五十五歳までの作刀が現存する。その作風は、師助広の創始した濤欄刃をよく継承しており、匂が深く、小沸がよくつき、匂口が明るく冴え、師に勝る出来のものもある。この刀は、 助直48歳の作で、身幅広く、先幅も広く、鋒やや延びる豪壮な姿、重量も650gを超え、杢目交じりの小板目肌がつむ美しい地鉄が明るく冴え、真改風ののたれに、小互の目交じり、足が頻りに入り、沸深くつき、金筋・砂流し掛り、匂深く、匂口明るく冴える傑作である。Sukenao was born in Ouminokuni-Takagi in the 16th year of Kanei, and his name is Magotaro.He went to Osaka and learned from the 2nd Sukehiro school, and told him that he would later become his sister-in-law.It is believed that Ouminokami was received around the 9th year of Kanbun, and after working, he returned to Takagi, Omi Province, and many of his works during the Enpo period were named "Takagi Sumi."When Sukehiro died in the second year of Tenna, he returned to Osaka and inherited it and did not lose his fame.In the 6th year of Genroku, swords up to the age of 55 still exist.The style is well inherited from Touranba, which was founded by his master, Sukehiro, and there are some that are superior to his master, with Deep Nioi, Konie often entered, and Nioikuchi is bright and clear. Some are better than Sukehiro.
This sword was made by Sukenao when he was 48 years old, and wide Mihaba, Wide Sakihaba, Slightly extended Kissaki magnificent sword, It weighs over 650g, Mixed Mokume with small-Itamehada-tsumu and beautiful Jigane is bright and clear. Like Sinkai style with Notare, Mixed small-genome, Ashi entered frequently, Deep Nie, Kinsuji and Sunagashi-kakari, Deep Nioi, Nioikuchi is bright and clear, A masterpiece.
