ENGLISH
特別保存刀剣Tokubetsuhozon Token
繁景 脇差 Hankei Wakizashi
No.183075繁慶 新刀最上作 沸匂深く湯走り飛び焼き二十刃金筋砂流し頻りに掛る匂口明るい傑作 革巻印籠刻鞘半太刀拵付 一尺五寸二分Hankei Shinto Saijo-saku Deep Nie-Nioi, Yubashiri, Tobiyaki, Nijuba, Kinsuji and Sunagashi entered frequently, Nioikuchi is bright, a masterpiece, With Kawamaki Inrou-Kizamisaya Handachi-Koshirae 46.0cm
- 銘表Mei-Omote
- 繁慶繁慶 Hankei
- 登録証Registration
- 大阪府 Osaka 平成28年5月10日 5/10/28(Heisei)
- 時代Period
- 江戸初期寛永頃Early Edo period, Around Kanei period
- 法量Size
-
刃長 46.0cm (1.0)反り 2.9cm
元幅 2.2cm 先幅 0.61cm 元重 0.71cm 鎬厚 0.71cm 先重 0.61cm 鋒長 3.2cm 茎長 14.0cm 重量 14.0gHachou 46.0cm (1.0)Sori 2.9cm
Moto-Haba 2.2cm Saki-Haba 0.61cm Moto-Kasane 0.71cm Shinogi-Thikess 0.71cm Saki-Kasane 0.61cm Kissaki-Chou 3.2cm Nakago-Chou 14.0cm Weight 14.0g - 国Country
- 武蔵Musashi
- 姿Shape
- 鎬造、三ツ棟、身幅やや広く、反り尋常、中鋒。Shinogidukuri, Mitsumune, Wide Slightly Mihaba, Standard Sori, Chu-Kissaki.
- 鍛Kitae
- 板目肌に、杢目肌交じり、地沸厚くつき、地景よく入り、鉄冴える。Itamehada, Mixed Mokumehada, Jinie entered thick, Chikei entered frequently, Iron is clear.
- 刃文Hamon
- のたれて、互の目に、湯走り・飛び焼き・二十刃頻りに掛かり、足・葉よく入り、沸深くつき、金筋・沸筋・砂流し幾重にも頻りに掛かり、匂深く、匂口明るい。Notarete, Gunome, Yubashiri, Tobiyaki, Nijuba entered frequently, There are Ashi and You entered frequently, Nie entered deeply, Kinsuji, Niesuji and Sunagashi entered over and over, Deep Nioi, Nioikuchi is bright.
- 帽子Boushi
- 匂深く頻りに掃きかけ表焼き詰めごころ、裏小丸。Deep Nioi entered frequently Hakikakeru. Front: Yakitsumegokoro, Back: Komaru.
- 茎Nakago
- 生ぶ、先薬研形、鑢目表大筋違・裏逆大筋違、目釘孔一。Ubu, Sakiyagengata, Front: Yasurime-Ohsujikai, Back: Gyaku-Ohsujikai, Mekugiana is one(1)
- ハバキHabaki
- 銀着一重。Single layer silver jacket.
- 拵Sword mounitings
- 革巻印籠刻半太刀拵 [江戸時代]
法量
長さ73.0cm 反り2.3cm
説明
鐔 素銅地石目地。 総金具 素銅地魚々子地葵紋散。 目貫 赤銅葵紋三又金色絵。 小柄 素銅地梅図金色絵。Kawamaki Inrou Kiszami Hantachi Koshirae(Edo period)
Length: 73.0cm
Sori: 2.3cm
Tsuba: Suakaji-Ishimeji
Total Fittings: Suakaji Nanakoji Aoi-mon Chirashi
Menuki: Syakudou Aoimon Mitsumata Kiniroe
Koduka: Suakaji Ume(Plum)zu Kiniroe - 説明Drscription
- 繁慶は、通称を野田善四郎清堯といい、生国は三河で、鉄砲鍛冶を家業とし、家康に付き従い江戸へ上り、日本橋鉄砲町居住の鉄砲師胝（あかがり）宗八郎に師事し、さらに鉄砲師としての腕を磨いた。その後、隠居した家康と共に駿府へ移り、この時に刀を造り始めたと云われる。家康没後は、再び鉄砲町へ戻り、二代将軍秀忠に仕え、刀は繁慶銘で鉄砲は清堯銘で鍛造している。初代康継とほぼ時代を同じくし、江戸鍛冶の先駆者である。新刀最上作。この刀は、三つ棟となり、茎は薬研形に鑢が表大筋違・裏逆大筋違、銘は太鏨の繁慶独特のもので、板目に・杢目肌交じり、地沸が厚くつき、のたれて、互の目交じり、湯走り・飛び焼き・二十刃など頻りに掛り、沸深くよくつき、大小の沸が明るく輝き、金筋・沸筋・砂流し幾重にも頻りにかかり、刃中の働き見事で、匂深く、覇気溢れ、匂口明るい傑作である。Hankei, commonly known as Noda Zenshiro Kiyotaka, was born in Mikawa and was a gunsmith by trade. He accompanied Ieyasu to Edo, where he studied under Akagari Sohachiro, a gunsmith living in Nihonbashi Teppocho, and further honed his skills as a gunsmith. He later moved to Sunpu with Ieyasu in retirement, and is said to have begun forging swords at that time. After Ieyasu's death, he returned to Teppocho and served the second shogun, Hidetada, forging swords with the Hankei Mei and guns with the Kiyotaka Mei. He was born at roughly the same time as the first Yasutsugu and was a pioneer of Edo blacksmithing. Shinto Saijo-saku.
This sword has Mitsumune, Nakago is Yagen-gata, Front: Yasurime-Ohsujikai, Back: Gyaku-Ohsujikai, Mei is the unique style of Hankei with Futo-Tagane, Itamehada, Mixed Mokumehada, Jinie entered thick, Notarete, Mixed Gunome, Yubashiri, Tobiyaki, Nijuba entered frequently, Deep Nie entered frequently, Large and Small Nie shine bright. Kinsuji, Niesuji and Sunagashi entered frequently over and over, It works well in sword, Deep Nioi, Full of ambition, Nioikuchi is bright, a masterpiece.
